Thursday, September 18, 2014

Children’s Book Chatur Will Bring Laughter to Children as they Connect With Each Character


Chatur

About Chatur

CHATUR is a hilarious and entertaining picture book written in Hindi (also with Hindi phonetics) for kids.
CHATUR is a wise laundry man. MAND is a loyal, reliable, albeit sluggish, partner in Chatur’s trade. He is a lazy donkey whose mantra is “Na Na Na hum to aaram karenge!”

Chatur’s ambition and Mand’s attitude doesn’t blend well. So Chatur comes up with a wise plan to reverse his fortune. He brings ATAL the elephant to do Mand’s job.
The plan starts out well and it did reverse his fortune substantially, but How?

Read Chatur(Hindi) a comical and fun read for kids. It is sure to tickle your funny bones. Bright illustrations are sure to engage readers. Chatur has a humorous theme with a subtle message and young readers not only have a laugh, but towards the end connect with each character and sympathize with them.
The book is written in Hindi script and also in Hindi phonetics to make it easy for everyone to read.



Book Information:

Title of Book: Chatur (Hindi)

Link to photo of book cover (an attachment is fine):

ISBN:  978-0-99-03178-0-7

Genre: Children’s Picture Book

Publisher: Kommuru Books

Publication Date: September 2014

# of Pages: 28


Title is available at Amazon

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Book Excerpt

Hindi:
Yeh kahani hai Chatur dhobhi aur mand gadha ki. Aalsi Mand ka naara hai "NaNa hum to aaram karenge" aur Chatur ki nazar sirf taraki par hai. Jab Mand ka tevar chatur ko khatakne laga, to usne dikhai apni chaturai. Kya chatur ko apni chaturai mehnga padega?

English:
This is a story about Chatur, the Dhobhi and Mand the donkey. Chatur is smart and progressive by nature and his Lazy donkey Mand's answer to any request was "No No No, I gotta take it easy". Chatur realized that his success is limited by Mand's attitude, So Chatur thought of a smart idea, will it work or will it hit him back?



About Sujata & Subhash Kommuru
Subhash and Sujata hail from India. They migrated to the United States along with their memories of childhood and youth. Now that they are parents, just like every immigrant they crave to introduce their child to the culture and values of their upbringing. Yet it is challenging to teach something while you are in the midst of adjusting to a different culture yourself. Subhash and Sujata both work in different disciplines and have different styles and backgrounds, but it is the upbringing of their son that brings them on the same page. That exact place where they meet is captured and reflected in their stories, where Subhash can express in words, and Sujata can illustrate them beautifully. Where he puts it in black and white, she adds color to it. You get the idea! These stories are their attempt to share a glimpse of their childhood days with their son. He is their inspiration to write short stories that have meaning to them and provide teaching in some shape or form.
Our Goal
Our goal is to introduce kids to Indian culture one story at a time and along the way have some fun. While stories are primarily written in Hindi they are tastefully being narrated in English as well, while maintaing the essence and moral.
Our Promise
Our promise is to write sensible stories with a moral to them.


Wednesday, September 3, 2014

The Most Terrifying Thing About Being A Writer



Name: Paul DeBlassie III
Book Title: The Unholy
Genre: Paranormal Thriller
Publisher: Sunstone Press

About The Unholy
 "A young curandera, a medicine woman, intent on uncovering the secrets of her past is forced into a life-and-death battle against an evil Archbishop. Set in the mystic land of Aztlan, the Unholy is a novel of destiny as healer and slayer. native lore of dreams and visions, shape changing, and natural magic work to spin a neo-gothic web in which sadness and mystery lure the unsuspecting into a twilight realm of discovery and decision." 


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Guest Post by Paul DeBlassie III

One of the most terrifying things about being a writer is that if I’m going to write a true story that resonates with my audience I have to live it out. It has to have been a part of my life. Since I write thrillers and  dark fantasy, that means that dark forces that have been at play in my life or are presently in the works can be quite overwhelming. This is not a hands off enterprise. Writing cuts to the core of my life and life experience, relationships, profession, dream, and nightmares. If I could only research stuff from a distance and then write in a compelling way about that, that would be one thing; but as it is I have to live this out. The story is a living breathing thing within my life before it hits the page, and then once its on the page, and then on from there. 

The Unholy is about terrifying religious encounters. This is something that I was raised with, fought my own battles about, treated people for clinically, and finally found that I was smack dab in the middle of writing a story that could not be stopped. It had to come out. Frightening, very frightening to live this close to one’s work. There were times that it effected my family, and I had to wonder whether I should withdraw; but we all talked and I had their support. I have it now. The arms of creativity stretch long and influence oneself and others who are in the emotional and psychic vortex of one’s existence. The energy, the psychological amalgam, of this is so intense and persuasive that nothing short of challenging and amazing can be said to even faintly describe it.







Author Paul DeBlassie III
PAUL DeBLASSIE III, PhD, is a psychologist and writer living in his native New Mexico. A member of the Depth Psychology Alliance, the Transpersonal Psychology Association, and the International Association for Relational Psychoanalysis and Psychotherapy, he has for over thirty years treated survivors of the dark side of religion. 
 

 

Friday, August 1, 2014

an Introduction to Novelists such as Yu Hua, Michael Berry, and Pearls Buck



An award-winning, internationally acclaimed Chinese bestseller, originally banned in China but recently named one of the last decade’s ten most influential books there, To Live tells the epic story of one man’s transformation from the spoiled son of a rich landlord to an honorable and kindhearted peasant.

After squandering his family’s fortune in gambling dens and brothels, the young, deeply penitent Fugui settles down to do the honest work of a farmer. Forced by the Nationalist Army to leave behind his family, he witnesses the horrors and privations of the Civil War, only to return years later to face a string of hardships brought on by the ravages of the Cultural Revolution. Left with an ox as the companion of his final years, Fugui stands as a model of flinty authenticity, buoyed by his appreciation for life in this narrative of humbling power.


images and content credits: amazon.com, google.com

Thursday, July 17, 2014

Flamingo Watching by Kay Ryan

 

 

From Library Journal

These poems are marked with the powerful but idiosyncratic influence of Marianne Moore, whose unique style is echoed in Ryan's elliptically compressed syntax and high-toned ironic stance ("There is such a thing as/too much tolerance/for unpleasant situations,/a time when the gentle/teasing out of threads/ceases to be pleasing/to a woman born for conquest." But unlike Moore, who knew how to modulate her astringency, Ryan's cramped syllabics have a monotonous density that too often mistakes sound for sense: "Green was the first color/to get out of the water,/leaving the later blue/and preceding yellow/which had to follow/because of fall." Occasionally, there is a clever charm in her descriptions. A garden snake is "born sans puff or rattle/he counts on persiflage/in battle"). Overall, however, these poems are derivative and lacking in substance. Not recommended.
Christine Stenstrom, Shea & Gould Law Lib., New York
Copyright 1994 Reed Business Information, Inc.

Review

An American original. --The Yale Review<br /><br />Fine poems that inspire us with poetry's greatest gifts: the music of language and the force of wisdom. --Annie Dillard<br /><br />I cannot recommend it highly enough. --Jane Hirshfield

I cannot recommend it highly enough. --Jane Hirshfield

An American original. --The Yale Review

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